Abraham Ozler Movie Review: Serial Killer Chase Loses Momentum Swiftly

Abraham Ozler, the latest thriller directed by Midhun Manuel Thomas, emerges as a mixed-bag endeavor, marking Jayaram's notable return. Attempting to weave a narrative around familiar thriller tropes, the film strives to establish its identity while bearing resemblances to Anjaam Paathiraa in its visual treatment and storytelling tone, as hinted by the director in promotional interviews. Although featuring moments of grandeur suitable for a theatrical experience, Abraham Ozler falls short of leaving a lasting impact, presenting itself as a passable yet not particularly remarkable thriller.

The narrative centers on Abraham Ozler, the ACP of Thrissur, who grapples with personal turmoil following the tragic loss of his wife and daughter three years ago. Amidst his journey to recover from this emotional ordeal, Ozler is assigned the perplexing case of the murder of an IT employee within a hospital. As the team delves into the investigation, they uncover a pattern indicating a serial killer at large. The film revolves around Ozler and his team's relentless pursuit to unveil the identity of the elusive murderer.

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In terms of screenplay, Abraham Ozler attempts to navigate through the well-trodden path of thriller conventions. While the film introduces moments of theatrical grandeur, it falls short of breaking new ground in its storytelling approach. The plot, reminiscent of other crime thrillers, lacks the innovation needed to make it stand out in the genre.

Positive aspects include the film's moments of cinematic scale and style, providing a visual treat for audiences. The narrative's focus on Ozler's personal struggles adds emotional depth to the character, creating a relatable dimension amid the suspenseful plot.

However, the film falters in delivering a truly distinctive experience. Despite its commendable aspects, Abraham Ozler fails to rise above the generic beats of conventional thrillers. The echoes of Anjaam Paathiraa may leave audiences expecting a more original narrative.

In conclusion, Abraham Ozler, with its commendable attempts at scale and emotion, falls into the category of watchable thrillers but lacks the uniqueness to make it truly stand out in the genre. While Jayaram's return is noteworthy, the film struggles to break free from the shadows of its influences, making it a passable yet unremarkable addition to the thriller genre.