Malaikottai Vaaliban Movie Review: Mohanlal Enters Lijo Jose's World, A Realm Of True & Unconventional Drama Unfolds
While not strictly a period drama, the narrative appears to be set in the past, echoing the conventions of duels to prove valor and the portrayal of women in regal attire.
In the distinctive cinematic universe crafted by Lijo Jose Pellissery, rules are mere suggestions, and he fearlessly navigates through situations, characters, and norms. "Malaikottai Vaaliban" is no exception; it's a journey into a world that can be both frustrating and fascinating, yet undeniably worth exploring.
The film introduces us to the warrior Vaaliban, known for legendary heists and a formidable reputation. While not strictly a period drama, the narrative appears to be set in the past, echoing the conventions of duels to prove valor and the portrayal of women in regal attire.
Mohanlal, essaying the role of Vaaliban, impresses in combat scenes with a display of elegant acrobatics and raw muscle power. Lijo masterfully balances action without resorting to loud, mass-pleasing moments, a departure from the bold violence in his award-winning film "Jallikattu." The subdued yet engaging approach distinguishes "Malaikottai Vaaliban."
Lijo's directorial vision creates a unique world, and while showcasing Mohanlal's stardom, he refrains from amplifying it in the conventional sense. Hareesh Peradi delivers a convincing performance as Ayyanar, the character raising the young Vaaliban. Danish Sait, making his Malayalam debut, adds an unconventional charm to the narrative, while debutant Katha Nandi shines as Jamanthi.
The film's pacing is deliberate, with Lijo and cinematographer Madhu Neelakandan lingering on shots to offer truly artistic moments. The vastness and beauty of the Rajasthan desert are brilliantly captured. Prashanth Pillai's music, especially slow, romantic numbers like 'Madabhara Mizhiyoram' and 'Punnara Kattile Poovanathil,' complements the narrative mood.
However, the narrative feels slow at times, and attempts to convey the story through frames alone can affect storytelling. Despite these drawbacks, "Malaikottai Vaaliban" remains an artistic endeavor, with some unexpected twists that leave the audience anticipating a second part.
In conclusion, Lijo Jose Pellissery's latest creation is a testament to his audacious filmmaking, offering a blend of frustration and fascination, ultimately making "Malaikottai Vaaliban" a unique cinematic odyssey within the larger canvas of his creative universe.
